
'Chhodo Kal Ki Baatein' is a lesson about art of living. It's about living life for today.
Due
to circumstances, one fine day, a workaholic IT professional, Aditya
Pradhan (Sachin Khedekar) finds himself reliving this one Sunday over
and over again.
As Aditya figures out his dilemma, we do, too.
It's
his routine -- Sunday wake-up call followed by the events of the day
that haunts him. His world is inhabited by the same people every day,
but they don't know that Sunday is repeating itself. He is the only one
who can remember what happened yesterday. In another sense, his tomorrow
never comes.
Now, trapped in some kind of time warp, Aditya
tries to seek help. He relies heavily on a blind man, Benaam Kumar
(Anupam Kher). Benaam Kumar shares his wisdom and helps Aditya realise
the importance of life.
The film makes the most of the
sentimental possibilities in Aditya's rehabilitation. But it also has
fun with the nihilism while Aditya attains nirvana.
"Chhodo Kal
Ki Baatein" is painfully witty with resonant comedy. Its jokes are more
apt to prompt gentle giggles than rolling in the aisle. Though the film
is basically a comedy, there are underlying dynamics that are a little
deeper. The story's premise starts out lightweight, but becomes
strangely affecting and at times tedious.
Much as it attempts to
not sound or seem preachy, trying to support its doctrine with anecdotes
and examples, the second half still ends up like a lecture in moral
science.
The film is packed with a storehouse of talented actors
mainly from Marathi theatre, and their performances are loud caricatures
of the characters they portray.
Sachin Khedekar is back in top form with a clever, varied role that draws upon the full range of his talents.
His
character is believable and appealing. As in his previous movies, this
time too, Sachin makes a transition from a supreme, selfish,
money-oriented, egoistical person to a nice guy, and this time he does
so with particularly good grace.
The talented Anupam Kher as the
enigmatic blind man is disappointing. His character is not convincing
enough to appeal. Also, Anupam does not seem to have graduated from what
he has been doing forever.
Overall, the film is conceived as a sitcom style film.
The
director, Pramod Joshi in his maiden Hindi venture, has sensitively
handled this complex theme. The film tries to resolve too many
complexities of the human mind debating over issues like 'ego Vs pride'
and 'aim Vs vision' in a very straight forward, in-your-face manner,
making it sound like a moral science class.
The edit, though
crisp, suffers due to its repetitive narrative. The script could have
been a bit taut. If only the songs were dropped, the film would have had
a meaningful appeal.
This film is truly inspirational for the
urban dream chaser to introspect their lives. It sucks you in before you
know it, and has just enough unexpected originality to keep you from
feeling bad about enjoying it so much.